The Women

Sometimes, a star just makes a difference. Or in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, a sprinkling of major stars seals the whole deal. The first act of this show is almost very good, but the second act (as of the second week of previews, when I saw this performance) is still troubled. It lags there, and becomes just on the north of tedious. But by God, the show is never ever boring. Why? The star wattage on stage at The Belasco is blinding, and the talent on the stage is so overpowering that it blasts any doubt you would otherwise have about any other piece of the production puzzle. 

And Patti Lupone! What a treat to see a living legend. I have more understanding and appreciation of her now after I have read her memoirs. She is not the "star" of the show per se, but in all her numbers, she shines. You cannot take your eyes off her when she is on, and that voice. And she is singing original material, and originating a role on Broadway. That is practically history happening right before your eyes. 

The rest of the stars are just as twinkly: Sherie Rene Scott is a wonder in disarray, and Laura Benanti gives a comedic tour de force.  For my own personal taste, I would just tone her down just a dial, and she would be perfect. And Brian Stokes Mitchell. He is pretty game to be part of such a women ensemble piece, and is pretty sweet in the process. And even Justin Guarini in his Broadway debut is pleasant and doesn't stink up the place. 

The show needs a lot of tightening, and once everyone settles into their roles, it should be fine. Bartlett Sher needs to be more forceful as a director, because I already see some strong characterizations on stage.  At times it gets too "noisy," a little bit like the women on "The View" when they are all talking at the same time. And I understand giving Mr. Stokes-Mitchell songs to be featured in but two? Unfortunately, his numbers do not really forward the story. I have seen a lot of complaints about the set, but I thought they were charming, and in the performance I saw, there weren't any technical problems that I know were plaguing other performances. The whole show, visually, has a very Almodovar feel, and no wonder - he is very involved in the creative process, I read. 

Now I would be very interested in how this show gets reviewed, for it seems to be polarizing people. But for sure, put me in the Like/Love department. 

(with Justin Guarini, after the show)